2008年11月29日星期六

Current usage




Colourful wigs for costume parties
In Britain and most Commonwealth nations, special wigs are also worn by barristers, judges, and certain parliamentary and municipal or civic officials as a symbol of the office. The original purpose of the legal wig was said to provide a form of anonymity and safety (i.e. disguise). Today, Hong Kong barristers and judges continue to wear wigs as part of court dress as an influence from their former jurisdiction of the Commonwealth of Nations. In July 2007, judges in New South Wales, Australia voted to discontinue to wearing of wigs in the NSW Court of Appeal. New Zealand lawyers and judges have ceased to wear wigs except for special ceremonial occasions such as openings of Parliament or the calling of newly qualified barristers to the bar.
A number of celebrities, including Dolly Parton and Raquel Welch have popularized wigs. Cher has worn all kinds of wigs in the last 40 years- from blonde to black, and curly to straight. They may also be worn for fun as part of fancy dress (costume wearing), when they can be of outlandish colour or made from tinsel. They are quite common at Halloween, when "rubber wigs" (solid bald cap-like hats, shaped like hair), are sold at some stores.
Orthodox Jewish religious law (Halakha) requires married women to cover her hair for reasons of modesty. Some women wear wigs, known as a sheitel, for this purpose.
Wigs are used in film, theater, and television. In the film and television genre, Jidaigeki, wigs are used extensively to alter the cast's hair styles to reflect the Edo Period when most stories take place. Only a few actors starring in big-budgeted films and television series will grow their hair so that it may be cut to the appropriate hair style, and forgo using a wig.
Today, wigs are worn by some people on a daily or occasional basis in everyday life. This is sometimes done for reasons of convenience, since wigs can be styled ahead of time. They are also worn by individuals who are experiencing hair loss due to medical reasons (most commonly cancer patients who are undergoing chemotherapy or those who are suffering from alopecia areata).
Another use seen in modern day society is for men who crossdress as women, wigs are used to make the men have more feminine hair in all sorts of styles.

Manufacture
There are two major methods of wig manufacture currently in use, traditional and automated. The traditional method produces finer wigs and is used to produce customized wigs, particularly in film and theatrical productions. Machine made wigs are cheaper and are commonly found for novelty use.

Measurement
Making customized wigs starts by taking measurements of the subject's head. Any existing hair is arranged into tight knots against the head and various measurements are taken. Sometimes a copy of the head is made by marking overtop clear plastic wrap placed over the scalp. This allows for the marking of the natural hairline. These measurements are then transferred to a wigform.

Framework
A product called wig lace or sometimes wig netting is placed over the wigform. Wig lace is a fine lace comprised of polygonal cells. It can be made from natural or synthetic fibers. Finer lace is used on the edges to blend imperceptibly into the skin. Heavier lace is used towards the center to provide structual support. The lace is trimmed and sewn into the proper shape.

Hair preparation
Hair used for wigs is assorted by length, color, and source (human, animal, synthetic). The wigmaker selects one or more sources of hair dependant on the intended wig design. The hair is then aligned on a device called a hackle. This straightens the hair so that individual strands may selected quickly and also separates out weaker strands which are left on the hackle. If multiple types of hair are selected, the process also serves to evenly mix the different varieties.

Ventilation
The process of tying strands of hair onto the wig lace is known as ventilation. The hair is folded in half so that strands may be plucked from their center. Wigmakers use a tool called a wig hook to select one or more stands of hair at a time to tie to the lace. The hook is specially bent to facilitate the tying of what is referred to as the ventilation knot. This is effectively the same technique used in the construction of handmade rugs. Because the knot is tied from the midpoint of the strand, the source hair must be at least twice as long as the length of the completed wig; with extra length needed to account for styling. The wigmaker ties the hair onto specific edges of the individual lace cells in order to influence the grain of the wig. In the center of the wig, where high density is needed detail is obfuscated, multiple strands are tied at once. At the edges of the hairline, only one or two strands of hair are applied at a time
Styling
At this point, the hair on the wig is all the same length. The wig must be styled into the desired form in much the same manner as a regular stylist.

Fitting
The subject's natural hair is again knotted tightly against the head and the wig is applied. Any remaining superfluous wiglace is trimmed away. Hairpins can be used to secure the lace to the hair and occasionally, skin-safe adhesives are used to adhere the wig against bald skin and to better hide any exposed lace. Finishing touches are done to the hair styling to achieve the desired effect.

Wig History

Queen Elizabeth I, pictured in 1588.
Wigs have been worn throughout history, even on the genitals (see merkin).
The ancient Egyptians wore them to shield their shaved, hairless heads from the sun. Other ancient cultures, including the Assyrians, Phoenicians, Greeks and Romans, also used wigs. Wigs are principally a Western form of dress -- in the Far East they have rarely been used except in the traditional theatre of China and Japan. Some East Asian entertainers (Japanese Geisha, Korean Kisaeng) wore wigs (Katsura and gache respectively) as part of their traditional costumes. After the fall of the Roman Empire, the use of wigs fell into abeyance in the West for a thousand years until revived in the 16th century as a means of compensating for hair loss or improving one's personal appearance. They also served a practical purpose: the unhygienic conditions of the time meant that hair attracted head lice, a problem that could be much reduced if natural hair were shaved and replaced with a more easily de-loused artificial hairpiece. Fur hoods were also used in a similar preventative fashion.
Royal patronage was crucial to the revival of the wig. Queen Elizabeth I of England famously wore a red wig, tightly and elaborately curled in a "Roman" style while King Louis XIII of France (1601-1643) and King Louis XIV of France (1638-1715) pioneered wig-wearing among men from the 1620s onwards. King Louis XIV of France was also popularly known as The Sun King (in French "Le Roi Soleil"). During his reign he built the Château de Versailles, a large and extravagant royal residence and moved there the court life from Paris. He created an elaborate court style at Versailles. King Louis XIV was dictating men's fashion at the time with his sophisticated style, and his exuberant taste for luxury. [1] Perukes or periwigs for men were introduced into the English-speaking world with other French styles when Charles II was restored to the throne in 1660, following a lengthy exile in France. These wigs were shoulder-length or longer, imitating the long hair that had become fashionable among men since the 1620s. Their use soon became popular in the English court. The London diarist Samuel Pepys recorded the day in 1665 that a barber had shaved his head and that he tried on his new periwig for the first time, but in a year of plague he was uneasy about wearing it:
"3rd September 1665: Up, and put on my coloured silk suit, very fine, and my new periwig, bought a good while since, but darst not wear it because the plague was in Westminster when I bought it. And it is a wonder what will be the fashion after the plague is done as to periwigs, for nobody will dare to buy any haire for fear of the infection? that it had been cut off the heads of people dead of the plague."
Wigs were not without other drawbacks, as Pepys noted on 27 March 1667:
"I did go to the Swan; and there sent for Jervas my old periwig-maker and he did bring me a periwig; but it was full of nits, so as I was troubled to see it (it being his old fault) and did send him to make it clean."
With wigs becoming virtually obligatory garb for men of virtually any significant social rank, wigmakers gained considerable prestige. A wigmakers' guild was established in France in 1665, a development soon copied elsewhere in Europe. Their job was a skilled one as 17th century wigs were extraordinarily elaborate, covering the back and shoulders and flowing down the chest; not surprisingly, they were also extremely heavy and often uncomfortable to wear. Such wigs were expensive to produce. The best examples were made from natural human hair. The hair of horses and goats was often used as a cheaper alternative.
In the 18th century, men's wigs were powdered in order to give them their distinctive white or off-white color. Contrary to popular belief, women in the 18th century did not wear wigs, but wore a coiffure that we nowadays would call hair-extentions. The top of their natural hair was being enriched by fake hair, or hair not of their own. Women mainly powdered their hair grey, or blue-ish grey, and from the 1770's onwards never bright white like men. Wig powder was made from finely ground starch that was scented with orange flower, lavender, or orris root. Wig powder was occasionally colored violet, blue, pink or yellow, but was most often used as off-white. Powdered wigs (men) and powdered natural hair with extentions (women) became an essential for full dress occasions and continued in use until almost the end of the 18th century. Powdering wigs and extentions was messy and inconvenient and the development of the naturally white or off-white powderless wig (made of horsehair) for men is no doubt what has made the retention of wigs in everyday court dress a practical possibility. By the 1780s, young men were setting a fashion trend by lightly powdering their natural hair, like women already did from the 1770's onwards. Often they would use their own hair and not a wig. After 1790, both wigs and powder were reserved for older more conservative men, and were in use by ladies being presented at court. After 1790 women hardly powdered their hair anymore. In 1795, the English government levied a tax of hair powder of one guinea per year. This tax effectively caused the demise of both the fashion for wigs and powder by 1800.

Marie Antionette wearing the distinctive pouf style coiffure: her own natural hair is being extended on the top by fake hair.
Among women in the French court of Versailles in the mid-to-late 18th century, large, elaborate and often themed (such as the stereotypical "boat poufs") were in vogue for women. These combed up hair-extentions were often very heavy, weighted down with pomades, powders, and other ornamentation. In the late 18th century these coiffures (along with many other indulgences in court life) became symbolic of the decadence of the French nobility, which helped to fuel the French Revolution(although it's influence is highly exaggerated.
During the 18th century, men's wigs became smaller and more formal with several professions adopting them as part of their official costumes. This tradition survives in a few legal systems. They are routinely worn in various countries of the Commonwealth. Until 1823, bishops of the Church of England and Church of Ireland wore ceremonial wigs. The wigs worn by barristers are in the style favoured in the late eighteenth century. Judges' wigs are, in everyday use as court dress, short like barristers' wigs (although in a slightly different style) but for ceremonial occasions judges and also senior barristers (QCs) wear full-bottomed wigs.
The wearing of wigs as a symbol of social status was largely abandoned in the newly created United States and France by the start of the 19th century, although it persisted a little longer in the United Kingdom.
Women's wigs developed in a somewhat different way. They were worn from the 18th century onwards - although at first only surreptitiously - and full wigs in the 19th and early 20th century were not fashionable. They were often worn by old ladies who had lost their hair. In the film Mr. Skeffington (1944), when Bette Davis has to wear a wig after a bout of diphtheria, it is a moment of pathos and a symbol of her frailty.

armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Wig




A wig, from the French "(per)ruque", is a head of hair made from horse-hair, human hair, wool, feathers, buffalo hair, or synthetic, worn on the head for fashion or various other aesthetic and stylistic reasons, including cultural and religious observance. The word wig is short for periwig and first appeared in the English language around 1675.
Some people wear wigs to disguise the fact that they are bald. Actors, on the other hand often wear costume wigs in order to better portray the character they are playing.

Wig




A wig, from the French "(per)ruque", is a head of hair made from horse-hair, human hair, wool, feathers, buffalo hair, or synthetic, worn on the head for fashion or various other aesthetic and stylistic reasons, including cultural and religious observance. The word wig is short for periwig and first appeared in the English language around 1675.
Some people wear wigs to disguise the fact that they are bald. Actors, on the other hand often wear costume wigs in order to better portray the character they are playing.

Heated clothing

Most heated clothing is designed for cold-weather sports and activities, such as motorcycle riding, downhill skiing, winter biking, and snowmobiling, and for outdoor workers such as construction workers and carpenters. Normal insulation works by trapping body heat, so if it gets wet from sweat or rain, or if a person stops exercising, the insulation may not keep them warm. With heated garments, a person can keep warm even if they are resting and not producing heat, or if their coat is damp from sweat
Types

By function
The most widely-available types of heated clothing are products for the extremities- the hands and feet. These body parts are the most likely to suffer frostbite or frostnip in severe cold. As such, many manufacturers make heated gloves, mittens, socks, and boot liners, and they can be purchased at workers' supply stores (serving construction workers) and motor sports stores. Heated torso coverings (vests or jackets) or leggings are available from specialty retailers that cater to motorcyclists and downhill skiiers.
A related product is heated seat covers, throws, and seating pads. Heated seat covers for snowmobiles, motorcycles, and cars and heated "throw blankets" typically use electrical 12 volt heating elements. Heated seating pads for hunting, canoeing, and stadium use either have rechargeable batteries or they use a reheatable gel pack.

Technology

Electrical
Heated clothing designed for use on vehicles such as motorbikes or snowmobiling typically use 12 volt electrical current, which is the standard voltage on motorsports or powersports batteries. While a single heated garment, such as heated gloves will not usually adversely affect the charge on the battery, riders have to be careful about attaching several heated garments, such as a heated boot liners, gloves, and a heated vest, because the battery may not be able to handle the load. The heated garments are usually attached directly onto the battery of the bike. Some heated garments have cigarette lighter plugs, so that the clothing can be plugged into a car's cigarette lighter. While the least expensive models can only be turned on or off, the more expensive models sometimes provide a heating level control.
For downhill skiing or winter biking, rechargeable batteries are generally used, either nickel metal hydride battery technology or lithium batteries. If not recharged properly, "battery memory" will shorten the battery's capability to recharge. With lithium batteries, there are two types: Li-ion & Li-Polymer. There are several heating technologies employed including copper wire, nichrome wire, metal "mesh' systems, carbon-embedded fabric and carbon fibers. The most reliable systems have technologies that have redundancy in case of a heating element breakage. If the weather is a little warmer, in many models the controller and battery can be detached, so that the garment can be worn as a regular garment.

Non-electrical
Non-electrical heated garments produce heat either using a pre-heated gel or by a chemical reaction. Garments that use gel have cloth pouches or pockets where plastic packages of gel can be inserted in the garment. Prior to going outdoors, the gel is heated up in a microwave. Once outdoors, the gel pack retains its heat for between 30 minutes and two hours, depending on the size of the gel pack, the thickness of the insulation protecting the gel pack from the outdoor temperatures, and the outdoor temperature and wind conditions.
Chemical reaction-based garments have cloth pouches or pockets where single-use packages of chemical "handwarmers" can be inserted. These "handwarmers" are about the size of a package of cards, and they contain chemicals which produce heat upon exposure to air (i.e., when the package is ripped open). While the products are commonly called "handwarmers", they can be placed in boots or, with special garments such as vests, in cloth pockets on the inside of the garment.

armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Karl Kani

Brand name
Carl Williams represents the “American Dream”. Son of a Costa Rican mom and Panamanian dad, Karl comes from a modest family from Brooklyn, New York.Young Karl dreamt of combining his passion for Hip Hop music and fashion. He didn’t know how to do that, but he believed in himself.
During Karl’s initial rough start in Los Angeles the question that had obsessed him for years, “Can I do it?”, remained unanswered. He kept asking himself: “Can I do it? Can I build a fashion empire? Can I become the ‘Ralph Lauren of the streets’?” Karl didn’t have the answer for all these questions but it did provide the basis for his new name, Kani, a variation on "Can I?". With a stylish "K" replacing the "C" in his first name, he ventured his own optimistic reply, Karl Kani.
The Godfather of Urban fashion
Carl Williams was the first black man to launch a Hip Hop Fashion brand and became one of the 100 richest African-Americans in 1996 according to People Magazine. He created the baggy pants and inspired many other to follow into his footsteps. Karl paved the way for many black designers and is the true ‘Godfather of Urban Fashion’.

‘The Originator’
Kani is also known as ‘The Originator’. Karl was the first to set the trend of merging hip-hop with fashion. He spotted an area in the market that previously was ignored and paved the way for other Hip Hop Fashion brands. Being the first African-American man to launch a Hip Hop Fashion brand, Karl inspired many others to follow in his footsteps. His many achievements earned him the title of the ‘Originator’.

The White House
Kani’s work didn’t remain unnoticed. In 1999 Karl had the honor to present his latest collection at The White House to President Bill Clinton during an informal fashion show.In 1996 Karl’s company was rewarded by Black Enterprise Magazine and in 2002 he received an ‘Urban Fashion Award'.

Awards
Kani is known as one of the most influential black designers of urban fashion in the United States. With such acclaimed success Black Enterprise Magazine named Karl Kani-Infinity Corporation the most successful African American owned firms worldwide in 1996. And this was just the tip of the iceberg.
In 2002 Carl was honored with an ‘Urban Fashion Pioneer Award’ for his lifetime achievements during the Urban Fashion Awards.

Celebrities
Throughout the early 1990s, Karl Kani set the tone for much of urban fashion, especially in the music industry. Rocking Kani clothing became both a symbol of success and a fashion statement. Karl Kani became a well known brand and many known Hip Hop and R&B artists like Tupac, Aaliyah, Baby, Cash Money, Heavy D, Kelly Clarkson, Lil’ Kim, N Sync, Nas, Dr. Dre, Ice T, P Diddy, Kool G Rap, Ed Lover, Mike Tyson, Heavy D, Big Daddy Kane, Pete Rock, CL Smooth, Notorious B.I.G., Next, 112, Redman, Tatyana Ali, Snoop Dogg, Three 6 Mafia, Tyson Beckford and Will Smith have rocked Karl Kani clothing. As well as Tom Kaulitz

Tupac Shakur
Karl Kani and Tupac Shakur are ultimately credited with being the co-founders of the Hip-Hop clothing world. Together, the two embarked upon a journey to bring some of the millions of dollars mionrities spent on fashion, back to the urban communities. Tupac wore a lot of Karl Kani clothing. We can see many pictures of him in sweats and tee’s all bearing the Karl Kani logo. .When Karl Kani met Tupac he told him he appreciated him wearing his clothing line and said that he would give Tupac cloths to wear since he was reppin for him. Tupac said that he was a black business man and he wanted to support his efforts so he would pay for all his cloths.
Celebrity quotes

P Diddy
“You know one of the reasons why I always praise this industry is because you can be a self-taught clothing designer and still make millions or even billions of dollars! (…) Karl Kani is self-taught, but a lot of people don’t know that.” He paid further homage to Karl Kani, who paved the way for him. Diddy stated that he celebrated the path he carved for me, this couldn’t have happened without him.

Baby
“Karl Kani's clothes speak like our music does; he combines street with bling in the same way we do. Karl wants his clothing line to be where the trends are and where things are happening and that's where Cash Money is. Where things are happening big time."

Jay-Z
“I had the Karl Kani shit on. If you looked at my clothes you could see I was out of there.”

armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Karl Kani

Karl Kani (Brooklyn, New York City, 1968) (real name Carl Williams) is the fashion designer, founder and CEO of the Hip Hop fashion brand Karl Kani. Karl Kani was launched in 1989 as a fashion forward and Hip Hop influenced clothing line. Inspired by his passion for Hip hop music and fashion, Karl designed clothes that appealed to a large public, including friends and celebrities from his hometown Brooklyn, New York.
History
At age 16, Carl Williams started designing clothes after learning the essential handcraft at his father’s company. Karl never studied tailoring or design, but he had flair for coming up with unusual, stylish concepts. He would buy material and tell a tailor exactly how he wanted his garments to look like. "For a relatively small sum, as he put it, "I had a fresh outfit that nobody had."
Karl’s customized outfits were so “fresh” that soon they were in demand. After seeing him on the scene in local clubs, men started asking for a Carl Williams’ outfit of their own. Soon Karl was taking his first orders in his car. The death of one of his close friends inspired some deep contemplation. “It made me think about life differently”, he added “ I thought I should really do something positive."
In 1989 Karl headed to Los Angeles where he and a good friend opened a clothing shop on Crenshaw Boulevard. They made no profit at this location and after the shop was robbed, they moved to Hollywood where Karl started selling catalogs for $2 that he and his partner had put together. They only made profit off the catalog sales and didn’t actually sell any clothes. He decided to take out an advertisement in Right On!Magazine but even that didn’t help jumpstart sales.
Karl Kani the success
After watching ‘The Today Show’ Karl had an idea. He paid a friend in New York to make a sign with his label’s name on it and hold it up during the taping of the show. The idea worked. People started calling and orders began to come in.
Upon his arrival in California he knew that he had to put a foot in an established fashion corporation before trying to establish his own sole proprietorship. When Karl met Carl Jones in 1990, co-founder of Threads 4 Life Corp, during a Cross Colours fashion show, Karl saw his chance. The partnership with Carl Jones lasted 2 years.
Karl's stylistic innovations were successful. In addition to working with a mainstream color selection he modified the baggy pants that became the basis of street fashion. According to Karl black people never liked tight fitting jeans. They would always buy a bigger size but then the waist would be too big, therefore Karl decided to increase the pant size.
In 1994 Karl used $500,000 in profits to launch his company Karl Kani Infinity In addition to his old partners, Kani now faced a marketing onslaught from hip-hop entrepreneur Russell Simmons’ Phat Pharm and a number of mainstream clothiers who now smelled profits in an area they had previously been ignored. Kani also had reason to worry that his involvement in Cross Colours might taint his operation in the minds of retailers. "I expected some resistance," Kani himself averred. "A major turning point for me was when retailers accepted us back into the market."According to Karl Kani, the hardest part of this business is predicting what the consumer will want next. Karl Kani knew the importance of staying in touch with his core public and staying open for new ideas.

Karl Kani Big & Tall
The idea for the Big & Tall line came to Kani after numerous conversations with NBA stars, who complained that they could not fit into much of his merchandise. Big and tall people are just as fashion-conscious so Karl launched his line in mid-1995 in Big & Tall stores around the country
Staying ahead of fashion counterfeiters who aped his signature and sold cheaper versions of his clothes, Karl began fastening a metal-and-leather plate to his product. After some initial resistance from the people who made the plates, Karl Kani decided to go ahead with it and it turned out to be his best-selling jeans ever.
Karl Kani used the metal plate to spread his positive message to others.
"Inspired by the vitality of the streets of Brooklyn New York. Karl Kani, the young African-American designer of Karl Kani Jeans, encourages you to follow your dreams and accomplish your goals. Wear the clothing that represents the knowledge of African-American creativity and determination. Recognize the signature that symbolizes African-American unity and pride... peace, Karl Kani."

armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Air Jordan XX2/XXII

Air Jordan XX2/XXII
The Air Jordan XX2/XXII model, designed by Dwayne Edwards, was released on March 24, 2007. Its original retail price was $115 but has declined. The aggressive and sharp design was inspired by the F-22 Raptor fighter jet. Some technical features of the shoe include an updated visible, interchangeable independent podular system, a new metallic mesh for ventilation, the Air Jordan camouflage pattern printed in reflective 3M, and an updated traction system, based on an army general's stripes.
There were two special editions of the Air Jordan XX2 model released. The first edition was released for Jordan's birthday on February 17. This edition featured an authentic Jordan Brand basketball leather. The second edition was the Omega model, part of the Alpha-Omega package. This model featured a laser-etched image of Jordan after he won his sixth NBA championship in 1998.
An entirely new line of Air Jordan XX2/XXII shoes called the player editions or "PE" were released with these shoes worn by NBA players from the Atlanta Hawks, Denver Nuggets, Detroit Pistons, and Dallas Mavericks. This Air Jordan model featured a new strap around the heel and ankle.

Air Jordan XX3/XXIII
Starting at the toe, the toe cap has Jordan’s signature embossed. The side of the shoe features a stitched pattern that gives the shoes strength in addition to cosmetic effect. The tongue of the left and right are different for a first time with a jumpman logo on the right shoe and the number “23″ embedded on the left shoe. The shoe also features a glittery glossy panel that covers the midsole body of the sneaker.
According to an article in Jet magazine, the XX3/XXIII is the first basketball shoe to be made under the "Considered" ethos, meaning the shoe is made with the environment in mind. The shoe was constructed using the absolute minimum amount of adhesive to make it more environmentally sound, while the soles (which are designed from Jordan's own fingerprint) are made from recycled rubber. It is considered the most technologically advanced Jordan model to date, and according to Gentry Humphrey, the head of the Jordan design team, it may be the last actual Air Jordan.
The shoe was released in three different colorways from January to February, with a limited edition release where 23 retailers around the world sold the shoe, before its national release in February.
The Air Jordan XX3/XXIII model had virtually eliminated the Jumpman logo. It is found only on the tongue of the right sneaker, and completely missing on the left sneaker.

Other Shoes from the Air Jordan Line
The Air Jordan line has also produced shoes for cross-training, casual, baseball, and football. They are lower in price then the signature basketball shoes from the Air Jordan line.
"Air Jordan Dub Zeros"
The Air Jordan Dub Zeros made its first appearance in 2005, and uses different parts of almost all Original - Retro Air Jordans I - XX. The Air Jordan Dub Zero is actually contributed to one of the best sneaker designers of all time, Tinker Hatfield. This same year, the Air Jordan XX released and was a tribute to Michael Jordan and his career. Some parts of other Air Jordans that are recognizable on the Jordan Dub Zero are:
Air Jordan 4 (IV): Midsole and Sole on the Jordan Dub Zero Air Jordan 6 (VI): Pull Tab on the heel of the Air Jordan Dub Zero Air Jordan 11 (XI): Patent Leather throughout the Jordan Dubs Air Jordan 12 (XII): T W O 3 down the tongue Air Jordan 13 (XIII): The shape of the upper is from the Jordan 13 Air Jordan 15 (XV): The Woven area at the heel Air Jordan 17 (XVII): Chrome at the heel Air Jordan 20 (XX): Laser on the uppers Jordan Jordan 1 (I) : J-Jordan on the heel
Even though the Air Jordan Dub Zeros were made up of many Retro’s and previously released Jordans, this particular model was not a Retro. A total of five Air Jordan Dub Zeros have released, and sales for each one were well selling out for within days.
The Jordan Packages
"Defining Moments"
The Jordan Brand released their first two-pair package named the Defining Moments Package(DMP) which consisted of the Air Jordan VI Retro model and the Air Jordan XI Retro model and was released on January 28, 2006. The Defining Moments package sold for $295.00.
"Beginning Moments"
The Jordan Brand released their second two-pair package named the Beginning Moments Package (BMP) or Old Love New Love (OLNL) which consisted of the Air Jordan I Retro model in White/Black-Varsity Red (Black Toes) and Black/Varsity-Maize/White. It was released on April 21, 2007. The Beginning Moments package was sold for $200.00.
"Air Jordan Spiz'ike"
The Air Jordan Spiz'ike combines the best elements from the Jordan 3, 4, 5, 6 and 20. It was created to commemorate Spike Lee during the Mars Blackmon Era. Released on April, 2007.
"Countdowns"
This package consisted of two different variations of Retro Air Jordan, in which each number equaled 23. The first Countdown package consisted of retroed Air Jordan XIII model in white/black-true red. The package also included a pair of the shadow grey Air Jordan X model with 23 stitched on the side of the shoes. The package cost $310.00 and was released January 19, 2008.
The second Countdown package consisted of the Air Jordan retro XIV model in black/red which was similar to the Air Jordan XIV model though it will consist of a white with the stitching on the sides and a different colored Jumpman logo on the side. The other shoe will be the Retro Air Jordan IX model in a white/black-true red color scheme. The package cost $310.00 and was released March 15, 2008.
The third Countdown package consisted of the Air Jordan Retro II model in white/varsity red. The other Air Jordan in this package would be Air Jordan retro XXI model in Black/Varsity Red. The package cost $310.00 and was released April 26, 2008.
The fourth Countdown package consisted of the Air Jordan Retro VI model in White/Carmine. The other Air Jordan in this package would be Air Jordan Retro XVII model in Black/Metallic Silver. The package cost $310.00 and was released May 24, 2008.
Jordan Fusions
This package is a fusion of several Air Jordan and Air Force One Models.
Air Jordan XII and Air Force One Fusion A fusion between the Air Jordan XII model and the Midtop Air Force One model.
Air Jordan V Air Force One Fusion This package is the only original colorway of the Air Jordan V model that was not released in the last round of retros. Like the Air Jordan V model, the outsole is a nasa1 mix of black and clear rubber, however there is no visible air sole unit in this package. The shoe was released April 19.
Air Jordan XX Air Force One Fusion A fusion between the Air Jordan XX and the Air Force One model. These feature the same laser upper as the original XX but replace the ankle strap and sole with that of the Air Force One. Has the numbers 1 through 6 on the heel to represent Michael's 6 championships.
Jordan "6 Rings" shoe The Jordan 6 Rings is a combination of the six Air Jordan shoes that Michael Jordan wore during his 6 Championship seasons. That includes the AJ 6, 7, 8, 11, 12, 13 and 14. The Jordan Brand company released the "6 Rings" shoes in September 2008. The shoe also features a furry tongue.


armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Air Jordan XV XVII XIX XX XXI

Air Jordan XV
As the first Air Jordan model released after Jordan's 1999 2nd retirement from the NBA, it shared a similarity to the Air Jordan IX in that Jordan never played professionally in the shoe. There was also concern about the shoe's comfort. The tongue of the shoe stuck out to mimic Jordan's well known habit of sticking his tongue out while playing. The woven kevlar Jordan XV was modeled after the X-15.
This was to be the last Air Jordan model design Tinker Hatfield's last Air Jordan but would later came back to design the Air Jordan XX model. This Air Jordan model however is widely recognized as being somewhat of a failure in terms of performance and style.

Air JordanXVII
This shoe comes equipped with pashav, which held the shoes and a compact disc containing the Air Jordan XVII song. The retail price of the shoe was $200. The defining functional design element of the Air Jordan XVII model which was later replicated on the Air Jordan XXIII model was the reinforced midsole which provided a very sturdy and stable chassis for the shoe. The XVII is known as the most expensive Air Jordan model ever produced. They were made in four mid top colors and three lowtop colors. One colorway was known as the "Fergilicious" because of the red/pink color combination and is reminiscent of Fergie's "The Dutchess" album cover.

Air Jordan XIX
Released in 2004 and modeled after the black mamba snake, this is the first Jordan release after his third, and final, retirement which came after the 2002-2003 NBA season. Two original colorways where released: white/flint grey and black/red. Three regional colorways and three special edition colorways were released. They consisted of the East, West, and Midwest edition for regular and West, East, and Olympic for the SE (special edition).
The Air Jordan XIX used innovative materials. The upper section of shoe was developed in collaboration with Material ConneXion Inc. from a sleeving normally used in architectural applications for protecting PVC pipes from bursting. In theory, this allowed for a lace-less shoe because the sleeving does not stretch, however the Air Jordan XIX model did include a set of laces behind the sleeve to better secure the shoe.

Air Jordan XX
This revolutionary motorcycle-inspired model celebrated the legacy of Michael Jordan. Equipped with next generation IPS cushion, a spherical shape and a laser etched design representing immortalized symbols of Jordan on its lace strap and interior gave this shoe a unique look and performance. As well as being inspired by motorcycles this design was also in inspired bicycling shoes this is why the strap was placed in the center of the shoe over the laces it also helped to creat a tighter fit and increased support.

Air Jordan XXI
The design for the Air Jordan XXI model was inspired by the world's finest sport touring vehicles. The shoe features lower-foot air grilles, double-overlasted Phylon midsole, a carbon fiber shank plate and a seamless diamond-quilted booty. It also has an evolutionary tunable I.P.S. suspension system that lets the wearer choose between Zoom and Encapsulated air.
The Air Jordan XXI model was also released in a Player's Edition, or "PE." The Players Edition model was similar to the Air Jordan XXI model as a tongue vent is still present, but the toe of the shoe seamlessly merged with the tongue with one piece of leather, which provided a unique, rich, and classy look. The Air Jordan XXI PE has been released in white, black, red and blue color schemes.


armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Air Jordan XI XII XIII XIV

Air Jordan XI
The Air Jordan XI model was designed by Tinker Hatfield. While Jordan was still pursuing a career in baseball, Hatfield designed the shoe in hopes that Michael would eventually wear it if he returned to the NBA.
The Jordan XI was meant to stand out with a fusion of performance and style. Taken from the world of high-end mountaineering backpacks, the condura nylon upper gave the Air Jordan XI model lightweight durability. Further innovation came with the use of a carbon fiber plate on the sole of the shoe, that can be seen underneath the clear outsole, which gave the shoe exceptional torsional rigidity. The most visually distinct aspect of the shoe was its shiny patent leather mid and toebox. A material long used in the fashion industry, patent leather was extremely lightweight, when compared to genuine leather, and also tended not to stretch - a very useful property to help keep the foot within the bounds of the shoebed during quick direction changes on the court. The shiny leather gave the XI what many described as a "formal" look - a fact that many owners of the shoe took advantage of thereafter, pairing the shoe off the court with business suits in substitution for dress shoes. Boyz II Men wore black and white Air Jordan XI shoes with white suits at one of their concerts.
Jordan wore the Air Jordan XI model to help the Chicago Bulls claim the 1995-1996 NBA championship. The legacy of the shoe was transferred to the silver screen as Jordan wore a black/white/blue colorway of the Air Jordan XI model in the 1996 Warner Bros. animated movie "Space Jam".

Air Jordan XII
The Air Jordan XII was inspired by "Nisshoki", (the Japanese flag) and a 19th century womans' dress boot. Initial public perception was a disappointment. However featuring gold-plated steel lace loops, embossed lizard skin pattern and zoom air, this model set a new direction in style and technology in shoe design. Though not as light in weight as previous models, the construction and firmness of the shoe is widely considered to be the most durable and sturdy shoes from the Air Jordan line ever made. This shoe known as "OG's' came in 5 colorways and was released on March 13. This shoe was also designed by, one of the top Jordan designers of the Jordan Brand. This shoe will release in December 2008 with the Eleven as the final countdown pack. In addition, the Twelve was combined with the Thirteen numbered Jordan to produce the 12.5. They are in stores now.

Air Jordan XIII
The Air Jordan XIII's were released in 1997. This model was designed by Tinker Hatfield and were known for its cushioning along with breathability. They were re-released in 2005, which coincided with the release of the Air Jordan XX shoe
The shoes were inspired by a black panther, which is known for its stealth and swiftness. The "pods" on the outsole of the shoe resembles the paw of a panther. This provided more coverage and support on the basketball court. A hologram is featured on the outer heel of the shoe which changes color. The shoe also reflects light which represents the eyes of the panther in the dark.
Spike Lee featured this Air Jordan model in his film He Got Game, where Jake Shuttleworth (the character played by Denzel Washington) wears a pair of black and white Air Jordan XIII shoes.

Air Jordan XIV
The XIV was modeled after Michael Jordan's tatee with its sleek design and logo. There are over nine colors of the Air Jordan XIV model including his Chicago Bulls uniform colorway, white, red and black.
According to shoe expert Professor K of solecollector.com, the Air Jordan XIV is the most comfortable model ever, even as a retro shoe.
It is regarded as the best Jordan in terms of performance even when compared to current basketball shoes.
As an added feature, there are seven Jumpman logos on each shoe, and 14 overall on the pair.
The black/varsity red - black version is sometimes referred to as the "Last Shots" because Jordan was wearing them during Game Six of the 1998 NBA Finals when he made the game-winning shot over Utah Jazz forward Bryon Russell to clinch the championship for the Chicago Bulls. It was the only time in Jordan's professional career he wore this particular model.


armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Air Jordan VII VIII IX X

Air Jordan VII
The Air Jordan VII was released in late 1991. Tinker Hatfield created the Air Jordan VII which had many similarities with the Air Jordan VI model. The Air Jordan VII was unique because it used some of the Nike Huarache technology to create a shoe that really stuck to the consumer's foot. The visible air sole, the Nike Air logo, and the yellowing soles all were no longer featured on the Air Jordan VII. The Air Jordan VII model is also commonly known as the "Hares" because the commercials promoting the shoe featured cartoon character Bugs Bunny.
When Jordan went to compete at the 1992 Barcelona Olympics to play for the US Men's Basketball Team (also known as the "Dream Team"), Nike released a special Olympic color combo of the Air Jordan VII model which featured Jordan's Olympic jersey number, 9 while all of the previous Air Jordan models that featured his jersey number had always been the number 23.
Various retros of the Air Jordan VII were released in 2002, again in 2004, and again with different colors in 2006.

Air Jordan VIII
The Air Jordan VIII was released to coincide with the 1992-1993 NBA season.
The eighth model of the Air Jordan was noticeably heavier than its predecessors. Its base was clearly close to that of the Air Jordan VII model, but it had a lot more details, including two crossover straps on each shoe and a furry Jumpman logo. Thus the Air Jordan VIII model became known as the "flower-power Air Jordan". This shoe was only made in three different color combinations. The shoes were produced in less quantity than the VII. The Air Jordan VIII was re-retroed in September of 2007 in its aqua and black/red color along with a navy and orange and a white and orange colorway.

Air Jordan IX
Originally released in November 1993, the Air Jordan IX model was the first Air Jordan model release after his retirement and Jordan never played a whole season of basketball with this model. This model was created in the form of baseball cleats that Jordan used when playing minor-league baseball.
The white/black version of the Air Jordan IX model was worn by Jordan for one scene in the 1996 movie Space Jam.
Like the Air Jordan VIIs and VIII model's, the Air Jordan IX model featured an inner sock sleeve and nubuck accents. The sole featured different symbols and languages of different countries.
The Air Jordan IX has been the shoe chosen to adorn Jordan's feet for his statue outside of the United Center in Chicago, Illinois.
In Popular Culture, in the children's movie The Little Rascals one of the bullies chasing Alfa Alfa and Sparky is wearing a pair of Air Jordan IX.

Air Jordan X
The Air Jordan X represents an important landmark in Jordan's basketball career. This represents Jordan's first retirement from the NBA. Inscribed on the soles of the shoes is a list of Jordan's accomplishments up to 1993.

armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Air Jordan IV V

Air Jordan IV
The Air Jordan IV shoe was first released in 1989, designed once again by Tinker Hatfield. It became the first Jordan shoe released on the global market, with some exceptions. The Air Jordan IV cushioning sole and design helped to make the shoe an international bestseller.
Spike Lee, the director/actor who helped in the ad campaign for the Air Jordan III, created the famous Can/Can't TV commercial. Lee also featured the Air Jordan IV in his movie Do The Right Thing in a scene where the character "Buggin Out" (played by Giancarlo Esposito) angrily confronts a Caucasian bicyclist who accidentally bumps into him and scuffs his Air Jordan IVs shoes. After the confrontation, Buggin Out promptly places his shoe on a fire hydrant and cleans it with a toothbrush.
The shoe was retroed in 1999 in a white/black colorway and a black/cement colorway, and stores were sold out of Air Jordan IV within hours of release. However, when Nike released the first Retro+ model of the Air Jordan IV, many fans of the shoe claimed that the company had "destroyed a classic" by removing the nets on the shoe along with making some other subtle changes. One example being "NIKE AIR" logo featured on the back of the shoe being replaced with the Jumpman logo.
In 2006, Nike released several variations of the Air Jordan IV, including "Mars Blackmons" ("Red" IV's with Spike Lee's alter ego on the heel), "Military Blues", and the $500 "Thunder and Lightning" package. Also released the Mist blue color and all white and all black.
These particular variations of the shoe also takes part in the inspiration of the Air Jordan Spiz'ike (the shoe's side-lace strap).

Air Jordan V
The original Air Jordan V was released in February 1990, again designed by Hatfield. Some elements were the same from the Air Jordan IV, but the Air Jordan V's most distinctive feature is arguably its reflective tongue. There was also another innovation: clear rubber soles. The soles gave the shoe a whole new and unique look, but it yellowed over time when exposed to moisture. To combat this problem, collectors stored the shoes in a cool, dry place with a desiccant at the soles, most commonly silica packs
The Air Jordan V also featured a base top with lace locks, making strapping on the shoe easy. The lacelock feature partly inspired the Air Jordan Spiz'ike. The Air Jordan V model is considered to have the best structure and design to wear during basketball games and sold the most pairs of shoes from the Air Jordan line.
Hatfield is believed to have drawn inspiration for the Air Jordan V from the World War II Mustang fighter plane; which is most notably visible in the shark teeth shapes on the midsole. The Air Jordan V was retroed in 2000 to great demand, including a new colorway featuring Michael Jordan's high school (Laney High) colors. In 2006 several re-retro V's had released including the very popular LS "Grape" V's, the LS "burgundy" V's and the popular "Fire-Red" V's. Along with the latter, a very limited laser design and the black/metallic/fire red colorways were released in early 2007.

Air Jordan VI
The Air Jordan VI was released in late 1990 and designed by Tinker Hatfield. The Air Jordan VI model featured a rubber tongue with two holes in it which the wearer can easily put the shoes on. The clear soles and the lace locks features were brought back from the Air Jordan V model. The Air Jordan IV featured the figure 2 standing up on the back of the shoe and the figure 3 lying down facing the ground close to the laces. These also were the last shoes to feature the "NIKE AIR" logo on the back, later being replaced by the jumpman logo, with the words "AIR" underneath it.
The Air Jordan 6 was the shoe Jordan wore when he won his first NBA championship when the Chicago Bulls defeated the Los Angeles Lakers in the 1990-91 NBA Finals.
The shoe was retroed in three color ways in 2000. The first model was the Olympic color way for Ray Allen when he competed in the 2000 Sydney Olympics. The second new color way featured a white upper and navy blue accent. The third model featured black and deep red(infareds) .
In 2006, a black and gold color way was released along with the Air Jordan XI named the "Defining Moments Package," (DMP) celebrating the shoes Jordan wore when he won his first NBA championship in the 1990-1991 season and his 1995-1996 NBA championship, his first since returning to the NBA after retiring from the NBA in 1993.
This past June 7th the Air Jordan retro 6 was released in a first time color way. The shoe consists of all white patent leather. The shoe has all five colors of the Olympic rings symbol. On the tip of the shoe is embroidered a figure of a Chinese flower.
The entire tongue, and part of the lace locks of the Jordan VI were the inspiration for the Air Jordan Spiz'ike.


armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Air Jordan II III

Air Jordan II
The Air Jordan II model was released after Jordan's rookie year in the NBA. The Air Jordan II featured high quality Italian leather and its design was inspired from a 19th century Italian woman's boot. These were the only shoes from the Air Jordan line to not originally be released in a black color placement. Reintroduced in its original color scheme in 2004 (black, white, and red), a new black/silver colorway was released as well as a Carmelo Anthony colorway of white, Carolina Blue, and yellow. The Air Jordan II shoe was also the first Nike sneaker to not feature the Nike swoosh logo. They were featured briefly in the movie School Daze. The Air Jordan II was actually released during the 87-88 NBA season. This is Jordan's third year in the league, as he wore the Air Jordan I for his first two

Air Jordan III
The Air Jordan III was designed by Tinker Hatfield. It was the first Air Jordan to feature a visible air unit on the heel, the new Jumpman logo, an elephant print trim, and tumble leather for a luxury look. The Air Jordan III were also famous for the humorous ads depicting Spike Lee as Mars Blackmon--the character he played in his film She's Gotta Have It. This campaign was known as "Mars and Mike" ad campaign. This was one Nike's most successful advertisement campaigns. These were the first jordans to feature the "NIKE AIR" logo on the back, but later replaced by the jumpman logo, with the words "AIR" underneath it, similar to the Air Jordan VI. This was said to be Michael Jordan's favourite shoes, he wore it during the 1988 Dunk Championship ( which he won ) and many other historical events in his basketball career.
The Air Jordan III's had poor sales when first retroed in 1994. However when they were re-retroed they sold out instantly. A pair of the Air Jordan III model can be sold for over 300 dollars. The long awaited "Fire Red" Air Jordan III was released in March 2007. The original Air Jordan III had the "NIKE AIR" logo on the back. Nike replaced it with the Jumpman logo on recent Air Jordan models such as the "Black cats" or the "Pure moneys $'s."
In 2007, Jordan brand collaborated with director Spike Lee to release a limited pair of Air Jordan III's in a special colorway to resemble the Do The Right Thing movie poster.
2007 also saw the "retro'ed" versions of the Air Jordan III's in two monotone colorways, all black and all white, nicknamed the "Black Cats" and the "Pure $," respectively.
2007 also had the "Flips" witched moved the elephant print from the trim to the entire shoe and replacing it with white leather. Indeed "Flipping" The original design of white leather with elephant print trim.
The sole and midsole in these shoes take part in the inspiration of the Jordan Spiz'ike, inspired by the Mars Blackmon character.


armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Air Jordan I



Designed by Peter Moore and released in 1985, the Air Jordan I pair of sneakers was considered a breakthrough in basketball shoe design, although its design was improved upon later with the Nike Dunk. The shoe initially gained a great deal of publicity and interest when the National Basketball Association disallowed usage of the shoe during games because its vibrant black and red color violated the leless, other shoe companies scrambled to emulate the design and introducing knock-off brands of the Air Jordan line.
When the Air Jordan I model was reintroduced in 2001, they sold out instantly.
The first colors unveiled were the banned black/red design, due to a violation within the leagues uniform policy regarding its lack of support.
On March 29, 2008, a Retro 1 tribute to Jordan's baseball days with the Birmingham Barons were released. The shoes were a quick strike release.

Air Jordan

Air Jordan, known colloquially as Air Jordans, Jordans, Js, or "MJs" are a brand of shoes produced by Nike, Inc which was designed for and endorsed by legendary professional basketball player, Michael Jordan. The Air Jordan line is created by Jordan Brand, a sub-division of Nike. Since its first release in 1984, there have been new designs of the shoe released each year, even after Jordan retired from basketball.
Collectors classify the Air Jordan line by release year and model: Originals (OG), Retros, Retro-pluses (Retro +), Player Exclusive (PE) and Samples. The Jordan Brand also produces a line of Team shoes, separate from the signature line of Air Jordan shoes. Every year the Jordan Brand reintroduces one signature pair of shoes that was previously created. Only one style is re-introduced per year but can be re-introduced in different color schemes. The Jordan Brand also releases shoes for only one day so that the shoe has more value and the retro idea does not fade in popularity.
History
During early 1984, Nike was in serious jeopardy in the fast paced sportswear market. Suffering from its "white man jogging brand" image, Nike had no credit in the basketball world. The running shoe phenomenon that had fueled their sales in previous years was slowly dying, and they needed a way to revitalize and reinvent themselves in order to appeal to another segment of the market. That is when Nike saw something special in the rookie player Michael Jordan, they saw a chance, an opportunity. Nike signed Jordan to a $2.5 million deal for 5 years, plus royalties and other fringe benefits.
The introduction of the Air Jordan 1 turned the athletic shoe industry upside down. Before the Air Jordan 1, most basketball shoes were white, but the bold black and red styling of the Air Jordan 1 flouted this convention. The NBA banned the shoe from the league in response, but Michael Jordan wore them anyway, racking up serious fines of up to $5000 a game. Nike, of course, was more than happy to pay these to keep the shoes in the game and in the public eye. All this controversy and Jordan’s spectacular performance that year served to put the Air Jordan line on the road to becoming a household name.
Air Jordan have consistently been among the best selling basketball shoes since their creation in 1985. Fans have been lining up at stores nationwide to get their feet on these creations. The designers take his ideas, hobbies, and life into account and incorporate these themes into the shoes.


armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans

Modacrylic

A modacrylic is a synthetic copolymer. Modacrylics are soft, strong, resilient, and dimensionally stable. They can be easily dyed, show good press and shape retention, and are quick to dry. They have outstanding resistance to chemicals and solvents, are not attacked by moths or mildew, and are nonallergenic. Among their uses are in apparel linings, furlike outerwear, paint-roller covers, scatter rugs, carpets, and work clothing and as hair in wigs.
Commercial production of modacrylic fiber began in 1949 by Union Carbide Corporation in the United States . Modacrylic and acrylic fibers are similar in composition and at one time were in the same category. In 1960 the Federal Trade Commission decided to separate the two fibers and establish a category for each
The Federal Trade Commission defines modacrylic fibers as manufactured fibers in which the fiber-forming substance is any long-chain synthetic polymer composed of less than 85%, but at least 35% weight acrylonitrile units except when the polymer qualifies as rubber.
Production
Modacrylic fibers are modified acrylic fibers made from acrylonitriles, but larger amounts of other polymers are added to make the copolymers.
The modacrylic fibers are produced by polymerizing the components, dissolving the copolymer in acetone, pumping the solution into the column of warm air (dry-spun), and stretching while hot.
Modacrylics are creamy or white and are produced in tow and staple form. If looked at in cross section views they have an irregular shape. Modacrylic fibers are also produced in many different lengths, crimp levels, deniers and they can have various shrinkage potentials.
Current modacrylic fiber producers include Solutia Inc. in the U.S. and Kaneka Corporation in Japan

Properties
A modacrylic has properties that are similar to an acrylic. However, modacrylics are flame retardant and do not combust. The fibers are difficult to ignite and will self-extinguish. In addition to a modacrylic's flame retardant properties it has a relatively high durability that is comparable to wool. Modacrylic fibers have a moderate resistance to abrasion and a very low tenacity.
Modacrylics are poor conductors of heat. The fabrics are soft, warm and resilient but are prone to pilling and matting. Modacrylics display high performance when it comes to appearance retention. The fibers are quite resilient and will not wrinkle. They also have great dimensional stability and high elastic recovery, which gives them the ability to hold their shape.

Care
Modacrylics are sensitive to loss of appearance due to improper care; therefore, it is important to know how to care for modacrylics. Modacrylics are resistant to acids, weak alkalis, and organic solvents. These fibers are also resistant to moths, mildew and sunlight. Modacrylic fabrics can be machine washed using warm water and tumble dried on a low setting. Modacrylic pieces can also be dry-cleaned, however, they should not be steamed and should only be tumbled on cold. Some fabrics may also be cleaned using the furrier method (a special non immersion cleaning process). The fibers are heat sensitive and will shrink at 250 °F and will stiffen at temperatures over 300 °F
Uses
Modacrylics are used primarily in applications where environmental resistance or flame retardancy is necessary or required. Modacrylics have the ability to combine flame retardancy with a relatively low density, meaning protective gear is not uncomfortably heavy (i.e. shirts and trousers worn by electrical linemen). The combination of flame retardancy and low density is also useful in furnishings, draperies, and outdoor fabrics.
Modacrylics are also commonly used in furlike fabrics, hairpieces, wigs and fleece type fabric. By mixing the various forms of fibers it is easy to create a realistic fur look. The fabrics can then be sheared or embossed to create a closer resemblance to fur. The heat-sensitivity of modacrylic also allows wigs and hairpiece to be curled and heat styled without damage.
Modacrylics are also used in fleece, knit-pile fabric backings, and nonwoven fabrics. Other uses of modacrylics include paint rollers, industrial fabrics, stuffed toys and filters.


armani man suit


rainbow leather sandals


backless wedding dress


cotton embroidered blouse


baby embroidery blanket


badges and emblems


adult cloth diapers


Scrolling Belt Buckle


burberry rain coat


burberry golf shirt


crocodile skin belt


esprit kids shoes


Flame Retardant Apparel


exclusive jordan sneakers


baby blanket fleece


cotton lace blouse


karl kani clothes


battery heated jacket


fake fur vest


bathing ape t-shirts


hand tied wig


Patchwork Quilt Set


Lingerie Body Shapers


Throwback Football Jerseys


industrial cotton jeans